Within this practice, notation functions not as a static record, but as a catalyst for movement. Drawing from the mathematical languages of choreographic sequencing and musical scores, the artist utilizes technical diagrams to map out new spatial possibilities on the canvas. These structured systems are deliberately destabilized, translated through the body into fluid, gestural marks.

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By bridging the precision of digital architectural drafting with the visceral texture of paint, the works in this section explore the rhythmic friction between order and release. Here, the graph becomes a dance; the rigid line is granted a pulse. The resulting compositions reveal that even within the strictest geometry, there exists an inherent, undeniable state of transition.